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David Takemura

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David Takemura
Birth name: David A. Takemura
Gender: Male
Date of birth: 10 September 1964
Place of birth: Los Angeles County, California, USA
Awards for Trek: 2 Emmy Awards, 3 nominations
1 VES Award
Roles: Visual Effects Coordinator/Supervisor
Glenn Neufield and David Takemura setting up a VFX shot.jpg

...setting up a VFX shot for "Profit and Loss" with partner Neufeld (l)

...setting up a VFX shot for "Profit and Loss" with partner Neufeld (l)
David Takemura and David Stipes discussing the Vor'cha studio model.jpg

...discussing a Vor'cha class model setup for "The Chase" with the other David A, Stipes (r)

...discussing a Vor'cha class model setup for "The Chase" with the other David A, Stipes (r)

David A. Takemura (born 10 September 1964; age 50) is a visual effects artist, coordinator and supervisor who worked on Star Trek: The Next Generation, Star Trek: Deep Space Nine, Star Trek: Voyager, and Star Trek: Enterprise. He was also the visual effects supervisor for Star Trek: First Contact. His work on Star Trek earned Takemura two Emmy Awards, both of which won in 1992, an additional three nominations, complemented by a Visual Effects Society Award in 2005.

A graduate of the University of Southern California, with a Bachelor's degree in Business Administration (Marketing/Advertising), David Takemura's career took on an entirely different path, when he "(...)heard that they were in pre-production for the Star Trek: The Next Generation pilot episode. After interviewing with Bob Justman, I became one of the two production assistants [note: the other one being Dana White] that started with the show that first season. Most of our responsibilities revolved around the office: answering phones, copying scripts, getting lunches, etc." [1] His position on the new show was Takemura's first gainful employment after graduation. When the first season went into full swing, Peter Lauritson promoted him to post-production assistant/visual effects associate and assigned him in this junior visual effects position to the two teams of Gary Hutzel/Robert Legato and Dan Curry/Ronald B. Moore, where he was able to learn the tricks of the trade. "David worked with both teams in various capacities and was instrumental in making it all happen", an appreciative Curry stated. (Cinefantastique, Vol 23,#5, p. 62)

David Takemura's opportunity for advancement came when Deep Space Nine went into production in 1993. The visual effects team of Gary Hutzel and Robert Legato were assigned to the new production, and in order to fill the gap for the remaining two seasons of The Next Generation, left behind by their departure, David Stipes, with whom Takemura was paired, was hired as visual effects supervisor. It was on this occasion that Takemura was promoted into the senior position as visual effects coordinator. Upon the conclusion of the sixth seson of The Next Generation, Takemura transferred to Deep Space Nine to start working on that series' second season, and where he was paired up with Glenn Neufeld in the same position. During the fourth season of that series, Takemura was given the opportunity to flex his muscles as visual effects supervisor on two early episodes, "The Visitor" and "Rejoined", a position he was permanently promoted into at the end of that season, and which he held for the remainder of his tenure at the franchise.

David Takemura was one of the relatively few senior visual effects staffers of the television franchise, who was also given a chance to serve as such on one of the Star Trek movies. In Takemura's case it was First Contact, after Ron B. Moore declined the offer, where he served as the responsible visual effects supervisor on the scenes of the Borg torpedo attack on the town, the corridor phaser fight with the Borg, Geordi-Vision and Geordi's bionic eyeballs, the 1940's holodeck, and the landing of the Vulcan Ship at the end of the movie. Additionally, like Ron B. Moore, Takemura became one of the very few Star Trek staffers, in any function, to have officially served uninterrupted for the full eighteen years on the entire run of the modern television franchise, having worked on all series at one time or another, unlike Moore who missed out on Deep Space Nine.

His name appeared in an okudagram reference in the second season episode "The Outrageous Okona", where he was listed as a noted comedian. He later had an explosive, Takemurium lite, named after him in an okudagram in the fourth season episode "Night Terrors", as well as a noted doctor, a Starfleet officer, and D. Takemura whose names can be seen in various episodes. In 1996 he and John Knoll were interviewed by Larry Nemecek for the article "Light & Magic" in the Star Trek: First Contact - Official Movie Souvenir Magazine.

Career outside Star TrekEdit

Following his work on Star Trek, Takemura also worked as visual effects supervisor on the television science fiction film Star Patrol (2000, with Lee Stringer), the fantasy film Harry Potter and the Sorcerer's Stone (2001), the television series Birds of Prey (2002-2003), the television comedy Christmas Vacation 2: Cousin Eddie's Island Adventure (2003), the short film Air (2004), the drama English as a Second Language (2005, with Paul Hill and John Hirota), the pilot episode of Secrets of a Small Town (2006, with John F. Gross), and the television series Ghost Whisperer (2006). He also worked on the mystery thriller What Lies Beneath (2000) and the action remake Charlie's Angels (2000).

In 2007 he joined the visual effects team of Ronald D. Moore's remake of the Battlestar Galactica franchise as a visual effects coordinator. His work includes the television movie Battlestar Galactica: Razor (2007), the mini series Battlestar Galactica: The Face of the Enemy (2008-2009), the television series Battlestar Galactica (2008-2009), the video production The Plan (2009), and the spin-off series Caprica (2009-2010) and Battlestar Galactica: Blood and Chrome (2011). In 2008 Takemura won an Emmy Award for Outstanding Special Visual Effects for a Series for the Battlestar Galactica episode "He That Believe in Me", shared with Gary Hutzel, Doug Drexler, Kyle Toucher, Pierre Drolet, Derek Ledbetter, and Sean M. Jackson. In 2013 he was nominated for an Emmy Award for Blood and Chrome, a nomination he again shared with Drexler, Hutzel, Toucher. Ledbetter, as well as with David R. Morton.

Takemura worked as director, writer and producer on the 1998 film World Inside Me with J.R. Quinonez and on the 2006 short drama Good Bad Karma with Jef Ayres.

Other projects as visual effects producer include the television series Saving Grace (2007) and Moonlight (2007-2008) and as visual effects coordinator the pilot episode of the Knight Rider remake (2008), the television thriller Virtuality (2009), and the action film Drive Angry 3D (2011). In 2012 he again rejoined former Star Trek colleagues Drexler and Hutzel to work as visual effects coordinator on the science fiction series Defiance.

Star Trek credits Edit

(This list is currently incomplete.)

Star Trek awards Edit

David Takemura received the following award wins and nominations:

Emmy Award Edit

As Visual Effect Associate/Coordinator, Takemura received the following Emmy Awards and nominations in the category Outstanding Individual Achievement in Special Visual Effects:

Visual Effects Society Award Edit

External link Edit

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